2012/02/13

The Road is Wider than Long


One can so easily become indifferent to Surrealism. It has lost its power to shock.

Perhaps I've grown up looking at too many poor imitations on 1970s prog-rock album sleeves, but even Salvador Dali or Rene Magritte look like 'commercial' artists to me now!

But I do like me some MAX ERNST or MAN RAY. I think those artists were closer in spirit to the dADa//mErZ of the sainted Kurt Schwitters. You can't beat a good collage (or photomontage) for creating a REAL surREAL image. Sir Roland Penrose (1900-1984) worked closely with these artists.


Looking at this show, much of his own work left me fairly cold, for the above reasons. Sorry, but all I saw were album sleeves! I did enjoy his collage pieces, but only because they were so clearly 'influenced' by Ernst and Schwitters. I think it is as an art CATALYST he deserves to be remembered. As coordinator of the First International Surrealist Exhibition of 1936, he was responsible for bringing surrealism to this country for the first time. He studied with and befriended many of the greats (Picasso, Man Ray, Miró, Eluard, Ernst) and brought their influence to the "English" school. He wrote the "Home Guard Manual of Camouflage". He founded the ICA (Institute for the Comtemporary Arts, in London). He curated the Tate's Picasso exhibit in 1960. The Sussex farmhouse he shared with LEE MILLER (an influential figure in her own right), became a meeting place for some of the key protagonists in 20th century art. He wrote the definitive biographies of Pablo Picasso and Joan Miró. It is for these reasons that he is IMPORTANT, rather for the quality of his own work.

In fact the most fascinating part of the show were the PHOTOGRAPHS: some of them recording the artist himself at work; some delightful 'snaps' of the visiting artists letting their hair down; some pictures that would later inspire larger works; some photographs that were ART in their own right. Penrose and Miller were both very good photographers indeed (aah! black and white!) and had picked up a few tips from Man Ray along the way. Lee Miller had been a fashion model before turning to photography herself, eventually becoming Man Ray's pupil and lover in Paris. (I would like to cover this page with examples, but there are copyright restrictions. Many of the photographs in the show can be seen on the websites linked here.)

Other artists represented in the show included Eileen Agar, Cecil Collins, Merlyn Evans, Ceri Richards, John Tunnard and Paul Nash. Of the paintings in the exhibition that I thought still stand the test of time, I liked the organic looking pieces by Edith Rimmington, including her "Prophylactic Sea-Mouth", Conroy Maddox' Dali-inspired works (these still look like they belong on Italian record sleeves, mind you) and the cute little Miró-esque "biomorph" creatures depicted by Dr Desmond Morris. I especially liked the big blue triptych "The Gathering", in which a variety of little critters do exactly that.

In this country, 'those of a certain age' will best remember Morris as the zoologist who presented teatime telly's "Zoo Time" in the early 60s. But he was an important figure in British art, having been director of the ICA. He was responsible for showing the collection of Max Ernst sketches and drawings in 1976(?), a show that I well remember visiting when I was at art college. He is also famous for his work with the chimpanzee artist Congo, whose paintings were shown at the ICA and even found their way into Picasso's own collection. A video of Congo at work, and several of his pieces, occupied a small room at this gallery.

www.rolandpenrose.co.uk
www.leemiller.co.uk
www.farleyfarmhouse.co.uk
www.desmond-morris.com

www.all-art.org/art_20th_century/penrose1.html





All veeerrrry interesting of course... but no visit to Southampton would be complete without spending a while immersed in the Pre-Raphaelite collection for which the City Gallery is so rightly acclaimed. Currently they are showing some BIG pictures by Edward Burne-Jones - his series depicting The Story of Perseus, (click that link for a website-full of nice reproductions) suitably exhibited in the Baring Room, a sombrous, oak-panelled Victorian gallery. Yummy.



2012/02/10

ÄLGARNAS TRÄDGÅRD

Whoops-a-daisy! Here's an oldie-but-goody I missed out when I was compiling my 1972 LIST a while back...

The Swedish collective ÄLGARNAS TRÄDGÅRD (meaning Garden of the Elks. Oh yes.) released their only* album in 1972. Its title was (and let me make sure I get all the right Swedish accent characters here:) "Framtiden är ett Svävande Skepp, Förankrat i Forntiden" (and that means "The future is a hovering ship, anchored in the past").

IT IS WONDERFULLY, DELICIOUSLY MAD.  If you have any interest at all in psychedelia, krautrock, psych-folk, progressive rock, space rock, RiO, or any other sub-genre of EARLY-70s LISTENING MUSIC, then you should endeavour to hear this semi-forgotten classic at least once in your lifetime. "A veritable testimony to the halcyon days of hippiedom...", wrote one reviewer when the album finally got a digital beef-up. Except that suggests that it might be all "Hello Flowers Hello Trees". This sure ain't.

Comparisons might be made to ASH RA TEMPEL, POPOL VUH, PINK FLOYD's soundtrack work, pre-"Phaedra" TANGERINE DREAM (with whom they share a knack for long contrived titles), early GONG, or "Future Days" period CAN. Ticks all the right boxes for me! But they also inject a goodly dose of folk music from Scandinavia and Elsewhere: a particularly spacy passage might suddenly stop and be interrupted by something that sounds like a maypole dance - very "WICKER MAN" indeed!

They also use unusual 'folk' instruments alongside the standard 'rock' pallette - at various times you will hear rebecs, zithers and cellos and all manner of other WOODY things lurking amidst the electric mayhem, VCS3 bleeps and atmospheric sound effects. The vocal arrangements also have a 'medieval' air about them - sometimes a pretty 'folk song', sometimes a Gregorian chant, always kinda spooky!

The album main meat course is the magnificent sidelong sequence that is "TWO HOURS OVER TWO BLUE MOUNTAINS WITH A CUCKOO ON EACH SIDE OF THE HOURS" > "THERE IS A TIME FOR EVERYTHING" - there! I warned you about the titles, didn't I? - during which you will hear church bells, acoustic guitar melodies, long S-L-O-W  D-R-A-W-N  O-U-T krautrock dirges, fuzzy guitar freakouts, a wee jig or two, dark and gothic choral passages, squeaky doors and horses' hooves, all in quick succession.

I have to confess, I've never caught a glimpse of a REAL LIVE copy of this album. I knew it via a third generation tape given to me by a chum. Later it appeared on a naughty diskload of MP3s given to me by another chum. I eventually bought it as a download from iTUNES. It HAS had a CD release on Silence Records [Silence SRSCD3611], but I haven't stumbled over a copy at a record fair as yet... Which brings me to that asterisk in the first paragraph, when I mentioned that this was their 'only' album. After Silence released this on CD (and vinyl) in the late nineties, they followed it with the 'lost' second album "DELAYED" [Silence SRSCD3626], an anthology of other recordings made by the band circa 1973-74.


2012/02/06

Oooh, they were using LANGUAGE!

I've posted this before on one of my blogsites or another, but I thought it worth sharing again here.

Hear the SECOND GREATEST LIVING ENGLISHMAN speak at length about ENGLISH AS A LIVING LANGUAGE, accompanied by some KINETIC TYPOGRAPHY, courtesy of ROGERS CREATIONS...



STOP PRESS - This just in, link courtesy of CC!
A complete website full of neologisms and etymological throwbacks!

2012/01/28

CC:PP:TV!

I recently treated myself to the download version of SERIF MOVIE-PLUS (well, I'm already a keen fan of all their OTHER products, so it was only a matter of time before I completed the set!).

The only way to explore the possibilities of a "NEW TOY" is to PLAY! PLAY! PLAY! It's what Saturday afternoons are for, for flip's sake...

I have to say, I'm already impressed, if not a little smitten. I've never really seriously caught the video bug for a number of reasons. Previous experience showed me that video editing eats up an awful lot of computer memory. I just never had the "brain power" to do anything useful or interesting before the pooter ground to a standstill. Secondly, one needed so many different pieces of software to deal with and convert between all the different video formats. Not to mention all those codecs to think about. It's a headache. One gets so swamped by the process involved that you forget to have any actual IDEAS. Nah... I leave all that kind of thing to our chums at the ODD POP concern. They seem to know what they're doing...

Until now... I immediately found Serif's little baby to be a doddle to use and it's easy on the hardware. It handles all the different formats with ease and does all the converting for you. When something is that user-friendly, you can start to have FUN with it, instead of getting bogged down in the technicalities. This is true of all of Serif's products (if this doesn't get me some freebies, I don't know what will!)

So I've been enjoying the process of turning CC's webcam recitals into full-blown arty videos, laying the results over the CC:PP versions of the tracks. The two videos here feature the "secret bonus" tracks on the first CC:PP "album", available as a digital download from my BANDCAMP site.


"SHADOWS OF PARADISE" - Whadya reckon? Have I been watching too much "Twin Peaks" lately?


"STRAIGHT NO CHASER" - Film Noir with maybe a touch of Man Ray...?



2012/01/25

When We Wuz Fab...

A BIT OF NOSTALGIA FOR THE OLD FOLKS... All of this running a website lark is nothing new to me, no sirree bob... Why! WE were doing this sort of thing back in the days when we all thought that M****soft Internet Explorer 5 and a dial-up modem made for a cutting-edge browsing experience.

Sometime around the turn of the century, twenty years on from what most would consider to be the 'heyday' of JOHNSON'S GRIDLING BAND activity, and several years before NewsKorps decided that the best way to read The Times would be to pay to squint at it on a telly, we decided to do our regularly ongoing, photocopied-to-order fanzine-cum-art-publication "THE GRIDLER" as a proper grown up website instead. THE FUTURE OF ROCK & ROLL, we decided, was now going to be CYBERNETIC!

There could now be colour! There could now be sound and movement! There were countless reviews of WOMAD festivals! And pictures of Land Rovers! Whooooo!

In the words of Marty DiBergi, "Don't look for it, it's not there anymore...". Luckily, I just happened to have preserved all the old pages on a CD-ROM, so I can at least share with you these screenshots. This is what home-made websites looked like in the days before MySpace existed and EVERYBODY got in on the act! Though I do say so myself, they look rather nicely designed, considering all I had to work with in the beginning was Front Page Xpress and Corel Draw (Who would have thought we'd be thinking of the early-Noughties as 'the old days'?)









Come on, own up... how many of you tried to use the scroll bars or click on the links in those screenshots?

2012/01/22

Haisai Ojisan!

This is based on a piece that first appeared on "The Gridler" website, way back at the turn of the century...

"Okinawa! where the wind comes sweepin' down the plain..." So how is it that a group of little islands south of Japan has produced some of the finest shit-kickin', country-soundin' music this side of Mumblin' Jack Unitroba? Probably because the local instrument of choice is the sanshin (similar to the Japanese samishen) which aurally bears an uncanny resemblance to the banjo, there is a definite "down-home" quality to the music which has caught the ears of such ornery pluckers as Bob Brozman and Ry Cooder.

Ry himself described the scene at a typical bar where

"you might hear a small shamisen (sic) and percussion combo working in a ka-chunk ka-chunk feel, while the old folks do a dance that looks like cattle egrets walking through mud. The women sing the ballads and they get a high lonesome Appalachian sound, like Mother Maybelle Carter in great pain – very soulful and pitiful…"

Hmm, I wonder what Mother Maybelle Carter walking through mud would sound like? Now I'm no expert, ah jes' know what ah lahk... so here are some names to look out for on the katcharsee scene...

We had the pleasure of catching NENES at WOMAD a few years ago - "High lonesome sound" indeed! Backed by a band that combined sanshins and pedal steels for that definitive "Nashville East of Java" sound, these four lovelies serenaded us with beautiful harmonies for a hot Sunday afternoon in Berkshire, dressed in traditional dress and swaying in unison like the Ikettes at a tea house. I've since learned that the national costume bit is strictly for the Tokyo and western audiences who seem to go for that sort of thing – back home at their own bar in Okinawa City, they are more likely to be seen waiting tables in denims and trainies. I also learned that they were 'manufactured', Spice Girls-style, by svengali-esque producer Sadao China (pronounced 'cheena') who wanted to gather together the cream of Okinawa's trad singers to form the ultimate girl group. Don't let that put you off though... I've only ever seen their CDs available at festivals, living, as I do, out in the burbs where record shops have problems with this sort of thing - Globestyle released an album ("Akemodoro Unai" which is fabulous... and fairly representative of their anthemic sound), otherwise their back catalogue is sold at inflated Japanese import-type prices... Their disembodied voices can be heard, in a very different context, on Talvin Singh's award-winning "OK" album of a few years back.

I simply must recommend SHOUKICHI KINA… Look for his "Best Of…" CD on Luaka Bop (Yes! Them again!), the best tenner I've spent at a record fair in many a year. Subtitled "Peppermint Tea House", it features most of his hits with his band Champloose, some dating back to the sixties, the infuriatingly catchy "Jing Jing", as well as some of his collaborations with Ry Cooder and various Paris musos. "Them's that's heard it" also recommend his "Celebration Live" album from 1983. "Kina's unique reggae-garage-surf-boogie has made him an Okinawan revolutionary folk hero over the last twenty years"… all set to a gridloid floppy boot stomp! So-called 'traditional' music never sounded so joyous... Richard Thompson, John French, Fred Frith and Henry Kaiser had a crack at their anthem "Haisai Ojisan" on one of their strange CDs.

Talking of "Jing Jing" (or "Jin Jin" meaning 'Firefly'), seek out the (back to basics) version on the first CD featuring Kina sidekick TAKASHI HIRAYASU with the aforementioned Bob Brozman... they were another rockin' teenage combo who thrilled us over a WOMAD weekend… earthy, spontaneous acoustic music at its best, but with a sense of FUN! The second CD features Takashi's own (even more Western-sounding) songs... the accordion player from Los Lobos appears on a couple of tunes, giving the disc more of a "San Antonio East of Java" sound!

Rinken Teruya, leader of RINKENBAND, is a close compatriot of Shoukichi Kina – their fathers had played together too, a mixture of Okinawan sounds and Perez Prado hits to appeal to the locally based US servicemen*. Rinkenband recorded an EP of sorts with our old chums 3 Mustaphas 3 - the circle closes!.

(*Did I ever mention the tape of "Ilocano Songs" I once found in the charity shop bargain bin? Thinking I might have stumbled across the latest World Music sensation, I found, upon first hearing, that it featured sub-Jim Reeves country-esque ballads, rendered in the indigenous dialect of the Philippines and accompanied by the cheesiest of club organs with inbuilt drum box! They probably think they have invented the perfect music to appeal to US servicemen – they are probably right!).

SHANG SHANG TYPHOON led by Yokohama's Kohryu, are not strictly speaking an Okinawan band at all, but a Japanese band who perform in the popular 'Okinawan' style. Fronted by The Sunflower Sisters, theirs is a more poppy blend of styles – the rhythm section is clearly at home in jazz and rock styles – but the "roots" are still there. Kohryu says the real sanshin was too difficult to play so, instead, he put sanshin strings on a banjo, to achieve the same effect! Truly thou art a gridler, Kohryu! I dig your style!

AN CHANG PROJECT are not really an Okinawan operation either, hailing as they do from Kyoto, but their "Monkey Harmonising Songs" features much repertoire from Okinawa (as well as Kiribati, Yonaguni and numerous other Pacific locales), so I mention it here simply because it is sort of appropriate... and gorgeous. Okinawa's vocal groups usually sing in unison, but An Chang have introduced harmonic intervals which suggest they have been influenced by Bulgarian choral music and West African Griots... Very plaintive, with sanshins plunking well to the fore... and if the hairs on the back of your neck are not fully erect by track 17, then there's some Fripp-soundalike electric guitar just to make sure! They played in London at the Barbican's 'Urban Beats' festival... anyone out there see 'em?

I'm sure there are loads of others I haven't mentioned, but that's mainly 'cause I haven't heard 'em yet!

STOP PRESS... Since I started writing this page, those good people at World Music Network released their own "ROUGH GUIDE TO THE MUSIC OF OKINAWA" on budget priced seedy disc... if you're only thinking of buying ONE Okinawan CD (an unlikely scenario), then this would be a good start! It's compiled by, and has copious sleevenotes by Paul Fisher, to whom we should all give praises, as he almost single-handedly made so much of this product accessible in the west - he runs the Jap-import company Far Side, as well as writing about all manner of Oriental sounds for The Rough Guides and Folk Roots (I believe we have to call it Froots these days.. Ed), demonstrating considerably more knowledge and depth than the flippant, ill-informed shallow style that I can usually muster!

The CD is so jam-packed with goodies, that to single out any individual tunes would be futile... so I will.

I can highly recommend the track by SHISARS (not just because there is a connection with An-Chang Project and because it features clarinet by Watura Ohkuma of CICALA MVTA, the wacky and fantastic Tokyo-based street band - imagine the 3 Mustaphas 3 jamming with "Hot Rats"-period Zappa!), the Okinawan Trance Music of SARABANDGE, the dub fusion of RYUKYU UNDERGROUND (even though it is mainly the work of a couple of English ex-pats) and the surf-bop stylings of THE SURF CHAMPLERS (yet another pseudonym for Kenji Yano of Sarabandge), of whom I would like to hear LOTS more!

It is not the place of this web-thingy to provide free advertising space to the world's CD manufacturing industry, but I guarantee that, if you purchase this volume (plus maybe its companion disc, "THE ROUGH GUIDE TO THE MUSIC OF JAPAN") you will derive hours of enjoyment from the oriental nutty boys (and gals) therein.

2012/01/11

It Was Forty Years Ago Today...

Just Another Gratuitous List Thing

It cannot have escaped your notice that, this year, a lot of (surviving) 1970s artists are celebrating FORTY YEARS since their greatest achievements - for example, I'll be seeing JETHRO TULL (well, some of them) recreate the whole of "THICK AS A BRICK" onstage in May...

1972... hmm, I would have been a spotty be-greatcoated fourteen year old, just starting to discover that there WAS music beyond the weekly singles charts and 'Family Favourites'.

Most of the inmates of my Secondary Modern Boys School were, in the parlance of the day, 'INTO' either Slade or T. Rex (but very rarely both). I was slowly becoming aware of the likes of Genesis, Yes and ELP and - for better or worse - there was no turning back for myself and a small band of like-minded individuals!

I'd be lying if I was to claim that I had any knowledge of most of these albums at the time, but many of them have found their way into my collection since. An equal number of them I STILL wouldn't give the time of day! But it's hard to take in that all the albums on this list (and many more besides) were all originally released within a single twelvemonth period. In conclusion then, 1972 was a cracking year for the pop music. There must have been something in the water.

(NB, this list omits to mention The Osmonds or David Cassidy for some reason)



Agitation Free 'Malesch'
Älgarnas Trädgård 'Framtiden är ett Svävande Skepp, Förankrat i Forntiden'
Alice Cooper 'School's Out'
Allman Brothers Band 'Eat a Peach'
Amazing Blondel 'England'
Arthur Lee 'Vindicator'
Banco del Mutuo Soccorso 'Banco del Mutuo Soccorso'
The Band 'Rock of Ages'
Big Star '#1 Record'
Bo Hansson 'The Magician's Hat'
Bonzo Dog Doo Dah Band 'Let's Make Up and Be Friendly'
Budgie 'Squawk'
Can 'Ege Bamyasi'
Captain Beefheart 'Clear Spot'
Caravan 'Waterloo Lily'
Cluster 'Cluster II'
CSNY 'Four Way Street'
Curtis Mayfield 'Superfly'
Curved Air 'Phantasmagoria'
David Bowie 'The Rise and Fall of Ziggy Stardust and the Spiders From Mars'
Deep Purple 'Machine Head'
Elton John 'Honky Chateau'
Emerson Lake & Palmer 'Trilogy'
The Faces 'A Nod's As Good As A Wink...'
Family 'Bandstand'
Faust 'So Far'
Flash 'Flash'
Focus 'Focus 3'
Frank Zappa 'Grand Wazoo'/'Waka-Jawaka'/'Just Another Band From LA'
Genesis 'Foxtrot'
Gentle Giant 'Three Friends'
Grateful Dead 'Europe'72'
Groundhogs 'Who Will Save The World?'
Hawkwind 'Doremi Fasol Latido'
Herbie Hancock 'Crossings'
Jackson Browne '[Saturate Before Using]'
Jan Akkerman 'Profile'
Jerry Garcia 'Garcia'
Jethro Tull 'Thick as a Brick'
Kevin Ayers 'Whatershebringwesing'
King Crimson 'Earthbound'
Klaus Schulze 'Irrlicht'
Kraftwerk 'Kraftwerk 2'
Little Feat 'Sailin Shoes'
Lou Reed 'Transformer'
Mike Westbrook 'Solid Gold Cadillac'
Miles Davis 'On the Corner'
Mott the Hoople 'All the Young Dudes'
Neil Young 'Harvest'
Neu! 'Neu!'
Nick Drake 'Pink Moon'
Paul Simon 'Paul Simon'
Pink Floyd 'Obscured By Clouds'
Popol Vuh 'Hosianna Mantra'
Premiata Forneria Marconi 'Storia di un minuto'
Randy Newman 'Sail Away'
Renaissance 'Prologue'
Richard Thompson 'Henry The Human Fly'
Rod Stewart 'Never a Dull Moment'
Rolling Stones 'Exile on Main Street'
Roxy Music 'Roxy Music'
Santana 'Caravanserai'
Slade 'Slade Alive'
Soft Machine 'Fifth'
Steely Dan 'Can't Buy a Thrill'
Stevie Wonder 'Talking Book'
Sun Ra 'Space Is The Place'
T. Rex 'The Slider'
Thijs van Leer 'Introspection'
Todd Rundgren 'Something/Anything?'
Uriah Heep 'Demons & Wizards'
Van Morrison 'Saint Dominic's Preview'
Various Artists 'The Harder They Come'
Weather Report 'I Sing The Body Electric'
Wishbone Ash 'Argus'
Yes 'Close to the Edge'
etc... etc... etc... etc...